Every call time,met.
Chauffeur, cast and crew transport for film, television and the people who make them. From principal cast in an S-Class to a fifty-seat unit move: one contact, one standard, no missed marks.
Built for production
Transport that runsto the call sheet,not the other way round.
Shoots move. Call times shift, locations change and talent lands at midnight. Crownline Black is a London chauffeur house that works the way productions do: briefed from the call sheet, on standby through the overrun, and quietly invisible on set.
One desk handles the whole production, from a single airport pick-up to a multi-week schedule of cars, minibuses and coaches.
Desk01
24/7
Production desk
Every day of the year, through overruns and night shoots.
Classes02
06
Vehicle classes
From the S-Class and Range Rover to a fifty-seat executive coach.
Pax03
1–50
Passengers per vehicle
Principal cast, departments or the whole unit.
Airports04
LHR
Every London airport
Heathrow, Gatwick, Stansted, Luton, City and the private terminals.
Built for
- Feature film
- Television drama
- Commercials
- Music videos
- Fashion & editorial
- Embassies & diplomatic
- Premieres & junkets
- Live events
The fleet
Six classes.One standard.
Cars and minibuses finished in black and unmarked, every vehicle detailed before each job and driven by a professional who has read the brief. Choose a class, or tell us the headcount and we will build the movement plan.
Mercedes-Benz
S-Class
The principal's car.
The long-wheelbase flagship. Reclining rear seats, privacy glass and a near-silent cabin: the right place to run lines, take the call from LA, or simply arrive composed.
- Capacity
- Up to 3 passengers
- Luggage
- 2 large cases
Best for
- Lead cast & talent
- Directors & producers
- Premieres & press days
- Executive rear seating
- Privacy glass
- Device charging
- Still water on board
At a glance
The collection
For the momentsthat need more.
Alongside the production fleet: a collection of supercars available for hire, and Rolls-Royce and Bentley for chauffeur-driven occasions.
- Lamborghini Aventador
- Lamborghini Urus
- Lamborghini Huracán
- Porsche 911 Carrera GTS
- Aston Martin · DB12 Volante, Vantage, DBX707
- Ferrari 458 Spider
- Ferrari F80
- Ferrari Purosangue
- Mercedes-AMG G63 Premium Plus
Rolls-Royce
- Phantom
- Ghost LWB
- Cullinan
Bentley
- Bentayga Mulliner
- Flying Spur Mulliner
What we move
From first callto wrap.
Every production moves differently. We plan around yours: who needs collecting, from where, and what happens when the day runs long.
01
Cast & talent
Door-to-door for principal cast, from hotel to make-up chair to red carpet. Unmarked cars, suited chauffeurs, no detours and no stories.
02
Unit moves
Crew, kit and supporting artists between hotel, base and location in minibuses and coaches, timed to the schedule.
03
Airports & private aviation
Heathrow, Gatwick, Stansted, Luton, City and the private terminals. Flights tracked, delays absorbed, airside meets where the airport allows.
04
Embassies & diplomatic
Protocol-aware transport for embassies, delegations and visiting officials. Formal, punctual and discreet by default.
05
Night shoots & standby
Cars held on standby through overruns, split days and night shoots. Your chauffeur waits; your schedule does not.
06
Retainers
One contact and one consolidated invoice, however long the shoot runs.
Rate · 01
By the hour
Single transfers, airport runs and press days.
Rate · 02
By the day
A car and chauffeur held for the whole shoot day, overruns included.
Rate · 03
By the production
A dedicated fleet plan for prep, shoot and wrap, on one consolidated invoice.
The Production Desk
Book it likea call sheet.
Our client portal, now in preview, lets producers and coordinators book cars against call times, see who is driving whom and follow every movement on the day. Prefer the phone? We answer around the clock.
- 01Send the call sheetEmail it, share it through the portal or read it down the phone. We build the movement plan from it: pick-ups, call times, headcounts and kit.
- 02We confirm every carEach movement is confirmed with the chauffeur's name, vehicle and contact the evening before. Changes on the day go straight to the desk.
- 03Track it liveSee every vehicle on your schedule, from en route to on standby to dropped, and one consolidated invoice when you wrap.
Preview · Northern Light S2
Day 14 of 38
Unit call
06:30
8
Movements
1
On the road
1
On standby
- 05:15Lead cast · Cast hotel → Unit baseS-Class · Daniel O.Dropped
- 05:40HMU team (4) · Crew hotel → Unit baseV-Class · Priya S.Dropped
- 06:10Crew transfer · 22 paxMinibus ×2 · Marcus T.En route
- 06:30Director + 1st AD · Recce, Location BE-Class · Tom W.Standby
- 07:00Supporting artists · 46 paxCoach · Andre K.Scheduled
The house
Quiet on set.Quiet in the car.
Crownline Black was founded on a simple observation: in the chauffeur trade, vehicles too often arrive without service, and service too often arrives without soul. On a production, that gap costs minutes, and minutes cost money.
So we stay deliberately small: a short list of trusted chauffeurs, a single desk for every client, and punctuality, discretion and presentation treated as non-negotiable.
- Unmarked
- No livery, no logos, no attention.
- Suited
- Dark suit as standard, name-board only on request.
- Briefed
- Every chauffeur reads the movement sheet before the job.
- Accountable
- One desk contact for the life of your production.
Request a quote
Your call sheet.Our schedule.
Tell us the shape of the day, or the whole shoot, and we will compose a private quote and come back to you directly.
Movement request
* Required